Review: Son of Neptune
Author: Rick Riordan
Son of Neptune is a sequel to the popular book series Percy Jackson. It is about Percy Jackson who wakes up with no memory what so ever. The Greek Gods exist and Percy is a demigod son of Neptune. His enemies do not die and the god of death, Thanatos is imprisoned. Percy then has to work together with his fellow demigods, Hazel and Frank to free death and to allow their enemies to die once more.
The book is an interesting and an exciting tale. However it is recommended to read the Percy Jackson series and the book before this The Lost Hero to get an idea of the setting which the book takes place in. The book really sucks the reader in. While the book is not very challenging to read it is a good book to read if the reader is bored or simply desires to read.

The Casual Vacancy by JK Rowling

With J. K. Rowling’s new novel, “The Casual Vacancy,” we are firmly in Muggle-land — about as far from the enchanted world of Harry Potter as we can get. There is no magic in this book — in terms of wizarding or in terms of narrative sorcery. Instead, this novel for adults is filled with a variety of people like Harry’s aunt and uncle, Petunia and Vernon Dursley: self-absorbed, small-minded, snobbish and judgmental folks, whose stories neither engage nor transport us.
It’s easy to understand why Ms. Rowling wanted to try something totally different after spending a decade and a half inventing and complicating the fantasy world that Harry and company inhabited, and one can only admire her gumption in facing up to the overwhelming expectations created by the global phenomenon that was Harry Potter. Unfortunately, the real-life world she has limned in these pages is so willfully banal, so depressingly clichéd that “The Casual Vacancy” is not only disappointing — it’s dull. The novel — which takes place in the tiny, fictional English village of Pagford, and chronicles the political and personal fallout created by the sudden death of a member of the parish council named Barry Fairbrother — reads like an odd mash-up of a dark soap opera like “Peyton Place” with one of those very British Barbara Pym novels, depicting small-town, circumscribed lives.
This is definitely not a book for children: suicide, rape, heroin addiction, beatings and thoughts of patricide percolate through its pages; there is a sex scene set in a cemetery, a grotesque description of a used condom (“glistening in the grass beside her feet, like the gossamer cocoon of some huge grub”) and alarming scenes of violent domestic abuse. The novel contains moments of genuine drama and flashes here and there of humor, but it ends on such a disheartening note with two more abrupt, crudely stage-managed deaths that the reader is left stumbling about with whatever is the opposite of the emotions evoked by the end of the “Harry Potter” series.
Instead of an appreciation for the courage, perseverance, loyalty and sense of duty that people are capable of, we are left with a dismaying sense of human weakness, selfishness and gossipy stupidity. Instead of an exhilarating sense of the mythic possibilities of storytelling, we are left with a numbing understanding of the difficulty of turning a dozen or so people’s tales into a story with genuine emotional resonance.
Many authors, of course, have created portraits of small-town life that capture the texture of ordinary lives with great depth of emotion. This, alas, is not the case here. Whereas the Harry Potter universe was as richly imagined and intricately detailed as Tolkien’s Middle Earth or L. Frank Baum’s Oz, Pagford seems oddly generic — a toy village, in which rooftops pop off to reveal adultery, marital discord and generational conflict among the tiny toy people. It’s as though writing about the real world inhibited Ms. Rowling’s miraculously inventive imagination, and in depriving her of the tension between the mundane and the marvelous constrained her ability to create a two-, never mind three-dimensional tale.
As “The Casual Vacancy” trundles along and Ms. Rowling starts grappling with the consequences of her characters’ darker secrets, the narrative gathers momentum, but it takes a lot of pages to get there. In the meantime we are treated to tedious descriptions of the political squabbles exacerbated by Barry Fairbrother’s death and historical accounts of class tensions in insular Pagford — most notably a face-off between one faction that is opposed to a public housing project and a clinic for addicts, and another that has a sense of duty toward the less fortunate. It’s a subject with the potential to reverberate with an American audience — given the current battles between Republicans and Democrats over the role and size of government — but as laid out here it’s oddly bloodless and abstract.
In some respects “The Casual Vacancy” is grappling with many of the same themes as the Harry Potter books: the losses and burdens of responsibility that come with adulthood, and the stubborn fact of mortality. One of the things that made Harry’s story so affecting was Ms. Rowling’s ability to construct a parallel world enlivened by the supernatural, and yet instantly recognizable to us as a place where death and the precariousness of daily life cannot be avoided, a place where identity is as much a product of deliberate choice as it is of fate. What’s missing here is an emotional depth of field. It’s not just because the stakes in this novel are so much smaller. (In “Harry Potter,” the civil war was literally between good and evil; here, it is between petty, gossip-minded liberals and conservatives.) It’s that the characters in “The Casual Vacancy” feel so much less fully imagined than the ones in the Harry Potter epic.
There is Gavin, Fairbrother’s best friend, who turns out to be in love with his widow; Fairbrother’s opponent, the extravagantly obese Howard Mollison, who considers himself the First Citizen of Pagford; Krystal Weedon, a skanky girl from the projects, and her junkie mother, Terri; Krystal’s new social worker, Kay Bawden, who has recently moved to Pagford with her teenage daughter; the disaffected adolescent boys, Fats and Andrew; and a variety of local gossips and pot-stirrers. Such characters are drawn in brisk, broad strokes, and with little of the complex ambiguity that fueled the later Harry Potter installments. In fact, there is a vacancy deep in the heart of this novel.
We do not come away feeling that we know the back stories of the “Vacancy” characters in intimate detail the way we did with Harry and his friends and enemies, nor do we finish the novel with a visceral knowledge of how their pasts — and their families’ pasts — have informed their present lives. Of course, Ms. Rowling had seven volumes to map out the intricacies of the wizarding world in Harry Potter. The reader can only hope she doesn’t try to flesh out the Muggle world of Pagford in any further volumes, but instead moves on to something more compelling and deeply felt in the future.

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How to Write a Book Review

A book review describes, analyzes and evaluates. The review conveys an opinion, supporting it with evidence from the book

book review is a form of literary criticism in which a book is analyzed based on content, style, and merit. It is often carried out in periodicals, as school work, or on the internet. Reviews are also often published in magazines and newspapers. Its length may vary from a single paragraph to a substantial essay. Such a  review  often contains evaluations of the book on the basis of personal taste. Reviewers, in literary periodicals, often use the occasion of a book review for a display of learning or to promulgate their own ideas on the topic of a fiction or non-fiction work.

Points to ponder as you read the entire book: class 9 to 12

Do you agree or disagree with the author’s point of view?
Make notes as you read, passages to quote in your review.
Can you follow the author’s thesis, “common thread”?
Are concepts well defined? Is the language clear and convincing? Are the ideas developed? What areas are covered, not covered?How accurate is the information?

Is the author’s concluding chapter, the summary, convincing?

If there are footnotes, do they provide important information? Do they clarify or extend points made in the text?

    • Include title, author, place, publisher, publication date, edition, pages, special features (maps, etc.), price, ISBN.

    • Review the book you read — not the book you wish the author had written.

    • Include information about the author– reputation, qualifications, etc. — anything relevant to the book and the author’s authority.

  • Your conclusion should summarize, perhaps include a final assessment. Do not introduce new material at this point.

Your opinion

  • To gain perspective, allow time before revising.

    • Did you like the book?

    • What was your favorite part of the book?

    • Do you have a least favorite part of the book?

  • If you could change something, what would it be? (If you wish you could change the ending, don’t reveal it!)

Your recommendation

    • Would you recommend this book to another person?

  • What type of person would like this book?

Format to write a book review : class 6 to 8

    • Accession No. of the book

      • Author of the book

      • Title of the book

      • Place/Publisher of the book

      • Cost of the book

      • Summary of the book

  • What was the story about ?

    • Who were the main characters?

    • Were the characters credible?

    • What did the main characters do in the story?

    • Did the main characters run into any problems? Adventures?

  • Who was your favorite character? Why?

Your personal experiences

    • Could you relate to any of the characters in the story?

  • Have you ever done or felt some of the things, the characters did?

Your opinion

    • Did you like the book?

    • What was your favorite part of the book?

    • Do you have a least favorite part of the book?

  • If you could change something, what would it be? (If you wish you could change the ending, don’t reveal it!)

Your recommendation

    • Would you recommend this book to another person?

  • What type of person would like this book?


Rip Van Winkle woke up after a slumber of 20 years in a world he no longer recognised. Arundhati Roy, the novelist, has also emerged from a literary hibernation lasting two decades, with a work of fiction that the world may find hard to recognise for what it is.
From its hyperbolic title to its cumbersome expanse, The Ministry of Utmost Happiness is everything that Roy’s first, Booker Prize-winning novel, The God of Small Things (1997) is not. The God of Small Things was a testimony to her shining originality, experiments with Rushdie-like nonce words and a heightened reality that were seamlessly woven into a politically and socially bristling storyline.
Her characters—Rahel, Estha, Mammachi, Velutha, Baby Kochamma and the rest—are alive in our minds for these intervening years for a reason. They were exasperating, fallible, endearing, tragic, but most of all, unselfconsciously human. Not for a moment did they strike as insubstantial or hollow receptacles of social and political agenda.
The contrast couldn’t have been starker with Roy’s second fictional offering.
Apart from being frustratingly rambling, the Ministry is shockingly uneven in its register. Soaring to flights of irony and poetry one moment, plunging into anodyne reportage the next, it appears to be composed by several minds and hands, unable to decide its tone and texture. More worryingly, the plot seems to stick together multiple strands of narratives with the merest excuse of a literary scotch tape—without too much care, or perhaps with such exquisite design that eludes the lesser mortals.
Roy appears to have anticipated these reactions already in the coda on the cover: “How to tell a shattered story?” she seems to ask rhetorically. “By slowly becoming everybody. No. By slowly becoming everything.”
That’s precisely what Ministry attempts to do: take a panoramic view of violence, injustice, suffering over decades of India’s history and turn it all into a living, pulsating, human story. If Roy begins with a tenderly imagined biography of a hijra called Anjum (modelled, quite obviously, on the famous Mona Ahmed), her plot soon begins to sprout a million heads like the mythical Hydra. Before long, it becomes an exercise in ticking boxes.
Apart from being frustratingly rambling, the Ministry is shockingly uneven in its register
The Emergency, the anti-Sikh riots of 1984, Union Carbide tragedy in Bhopal, Narmada Bachao Andolan, the Gujarat pogrom of 2002, 9/11, the unrest in Kashmir, Maoist insurgency, atrocities against Dalits, the rise of the gau rakshaks, the saffron wave, Modi’s ascendancy (he’s referred to as “Gujarat ka Lalla”), the anti-corruption brigade of Anna Hazare, the advent of Arvind Kejriwal (disguised as the bumbling Mr Aggarwal): it’s as though Roy pours her years of stellar non-fiction into a melting pot of liberal outrage and stirs it in with some fictional garnish (transgenders, female sexuality, homeless people, missing babies, terrorists).
As if on cue, a blind imam enters the plot, followed by two foundling girls, a Dalit man who pretends to be a Muslim, and a menagerie of animals, whose mute presence provides a welcome relief from the throbbing intensity of their human counterparts.
Tilottama, or Tilo as she is referred to, is unmoored from her past in Kerala and estranged from her Syrian Christian mother (almost a carbon copy of Mammachi in GoST). Tilo’s strident unconventionality is writ all over her. Her dark complexion, laconic nature, alert presence and every breath she takes are burdened with layers of meaning. Her psychic faculties are high-strung: a baby’s bones “whisper” to her in the night, she lived “in the country of her own skin … that issued no visas and seemed to have no consulates”, “her eyes were broken glass” and the “traffic inside her head seemed to have stopped believing in traffic lights.”
She is courted by three men: an alcoholic high-ranking government official called Biplob Dasgupta (nicknamed Garson Hobart by Tilo after a character in a college play) posted in Kashmir, a journalist of South Indian stock but resident of diplomatic Delhi, and a Kashmiri, co-opted by his tragedies into militancy, who becomes Tilo’s enduring link to the state. Her peregrinations across the war-torn valley and encounter with its people constitute some of the most powerful sections of the book, though, once again, Roy’s anxiety to fill in the reader with stacks of historical information tends to dilute the human impact of the story.
What I have said so far perhaps sounds rather crude as literary criticism, but the Ministry doesn’t lend itself to subtlety. For a reader in India, especially coming to it from the audacious GoST, it may feel unabashedly tame, written for an audience who have a passing acquaintance or vague curiosity about the wonder that is Incredible India. If Roy studiously avoided being the literary guide to India for the West in GoST, she seems to have embraced it with an earnestness one would never have expected of her.
If the transition from Anjum’s story to that of the enigmatic Tilottama’s seems abrupt, the two appear to be connected at least by an unbroken chain of stereotypes.
Anjum runs away from home to live with a community of hijras, who seem to be caught in a time warp. They spend their days applying surma, listening to the soundtrack of Mughal-e-Azam, talking about the good old times of yore, making profound observations about their destiny (as one says, the real “riot” is within them and it’s as bad as “Indo-Pak” in there) and reciting Urdu poetry—every syllable of which is dutifully translated for the benefit of the non-Indian reader.
If it’s not the dreadful clichés about East and West, it’s the ones that involve Us and Them that are rolled into the texture of this sprawling Rashomon-like narrative. In a world of binaries, Tilo is the drifter, who is forever lurking between spaces, existing like an overwrought literary conceit or a shape-shifting chameleon who holds a mirror up to the English-reading, bleeding heart, middle class reader and the characters in the book.
For a self-confessed fan of Roy, with dependable reserves of patience, I was on the verge of conceding defeat a number of times. They say the devil is in the details. Truer words were hardly spoken. For several times, I was tempted to do the unthinkable—skip pages of self-indulgent monologues spoken in simile-studded prose by men and women on the verge of nervous breakdown or personal confessions that have little relevance to the action.
When Roy is in form, the crystalline clarity of her prose glitters off the page, the less she labours over a point, the more effectively it pricks our conscience. We glimpse her impish humour and human affinities most luminously when she homes in on individuals and their stories, instead of putting in everything that has ever happened to them to the service of writing contemporary history. Had those precious moments been gathered together with more ruthlessness and craft, we would have had superior fiction from her—not just a gargantuan handbook to modern India and its injustices.


This story is about a boy whose name is Percy Jackson.
The story starts with Percy attending freshman orientation, at Goode high schooland founds that he had to fight two empousai with the help ofa mortal girl named as Rachel Elizabeth dare and goes to Annabeth who is annoyed with him in the company with a mortal girl. When they reach camp, Percy also encounters a middle-aged demigod named Quintus, who is the new sword instructor of camp half-blood.
Annabeth and Percy accidentally find an entrance into the labyrinth. Chiron holds a council of war, and it is revealed that Annabeth and Clarisse have been working together under the suspicion that Luke plans to use this door as an invasion route. To do so, he will use princess Ariadne’s magical string, which is assumed to be in the possession of the ancient inventor  Daedalus. Annabeth is given leadership of the quest to stop him, and chooses Grover, Percy, and Tyson to accompany her and the friends starts their adventure
I liked this novel and recommend this novel to those who love adventure and I give  4 / 5 points for this novel and wish all of you read this review  and also read this story ‘Percy Jackson and the battle of labyrinth’.

Inferno is a thriller written by Dan Brown, one of the four novels featuring Harvard Art History professor and famous symbologist Robert Langdon as the main character. It is a well researched novel. The descriptions of the monuments, buildings and various churches or Basilicas in the cities Florence and Venice in Italy and Istanbul in Turkey is so meticulous that the reader feels that he is actually visiting them. It can take us to that level that we will be absorbed in the History itself and begins to wonder how much wisdom is used in their creation.
Inferno (Italian for “Hell”) is the first part of Dante Alighieri‘s 14th-century epic poem Divine Comedy. It is followed Purgatorio and Paradiso. The Inferno tells the journey of Dante through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth.
The story begins when Robert Langdon awoke to find himself in a hospital in Florence with apparent bullet wounds on his head and with a condition called retrograde amnesia. He had no idea why he came to Florence and had no recollection of any of the happenings in his life for the previous two days. There in hospital he was attacked but escaped with the help of young doctor, Sienna Brooks with exceptional talents. The mysterious object found in Langdon’s coat pocket, the origin of which he could not explain, was a small projector. It projected the digitally altered image of the painting of La Mappa dell’inferno(Map of the Hell) by the famous Italian painter Sandro Botticelli. With the clues he got from the image, Langdon and  Sienna embarked on a chase across the city of Florence. Langdon’s knowledge of the hidden pathways and ancient secrets that lie behind its historic façade helped them to escape from the clutches of  their unknown pursuers. He deciphered some codes which led him to Dante’s death mask and a few lines from Inferno written at the back of it was pointing to the threat to the world –the black death –  Plague.
Bertrand Zobrist a highly talented genetic engineer and transhumanist, who had followers worldwide- very powerful and wealthy and thinkers-  believed that human species is on the brink of extinction because of over population. According to his theory and mathematical calculations, the only way to prevent the extinction of human race is to kill half of the world population by creating genetically engineered Plague. Under the cover provided by the secret  private organization “ Consortium ‘ headed by a man known as Provost, he developed some virus and kept it at some secret place to infect the humans before plunging to his death. The SRS team of WHO(World Health Organization) could not catch him.  The only way to unearth his secret is to  decipher the sequence of codes left by Bertrand Zobrist-a  crazy for  symbolism- a few lines from Inferno by Dante, his favourite poet. To save the human race from its imminent havoc WHO and the Consortium joined  together and Robert Langdon to help them to find  the hidden place of Zobrist’s Plague.
Set against an extraordinary landscape inspired by one of history’s most ominous literary classics, Inferno is Dan Brown’s most compelling and thought provoking novel yet, a breathless race- against – time thriller  that will grab you from the first page and not let you go until you close the book.

Joanne Rowling, also known as JK Rowling was born on 31st July. She studied in Wyendan School and college with the position as the Head Girl. She graduated   from University of Exeter with BA in French and Classics. On a delayed train from Manchester to London in 1990, JK Rowling wrote her initial Harry Potter ideas in a napkin. JK Rowling was diagnosed with clinical depression which she claims gave her inspiration for Dementors in the Harry Potter series. Twelve Publishing houses rejected her Harry Potter Manuscripts until a small publisher Bloomsbury gave her a chance. The eighth book is very interesting.
It is a play written by J K Rowling and produced by John Tiffany. In this play there are two parts, part 1 and part 2. Harry Potter,  now married to Ginny Weasley already has 3 children of his own. Eldest son James has already started Hogwarts; school of witchcraft and wizardry and in Gryffindor is teasing his younger brother that he might go to Slytherin house. Albus, the second youngest getting worried that he might go to Slytherin house. Then Ron Weasley, who is married to Hermione Granger and his two children, comes to leave their first child Rose who is going to Hogwarts for the first time with Albus. They got in the train and said good bye. In the next scene they are in the train and Rose says they have to be careful with their friends. Albus gets into a compartment and sees Scorpious Malfoy. Albus makes friends with Scorpious and they both are sorted into Slytherin house and Rose is sorted into Gryffindor. Let us see what happens with this pair?  They make friends with Delphini Diggory without knowing her properly . Who is she? Harry who is a ministry official along with Hermione the minister of magic gets an illegal time turner. Where is the time turner? Albus wants the time turner for bringing back Cedric Diggory  who was murdered by Lord Voldemort. Scorpious helps him. Will they be seen and be muddled in the time?
What I loved the most was the simple but good influence for everybody to be the famous Harry Potter, Brave, Courageous, and Determined. J K Rowling took me to the magical world with Harry Potter and Albus Severus Potter, his son. I rate it 4/5 stars.
Book Review: “The Alchemist” by Paulo Coelho

“The Alchemist” is really an inspiring book. It is the story of an ordinary shepherd boy who was a dreamer and about how he comes to understand the truth about his dreams and his destiny. The book advises everyone to follow thier instincts, to follow their heart, to find their destiny. Inspite of the difficulties and struggles, the boy believes in his destiny and, as he follows his dreams, he begins to understand the language of this world – which takes him closer to his destiny.
The book really inspired me a lot. It made be believe that each one of us has a destiny, and the only thing for us to do to find it is to follow our heart. But then there is also a great factor apart from all this, that is, “maktub” – fate. This book is really special.
I liked this book because: it had something wonderful which inspired me a lot.

Book Review: The Old Man And His God by Sudha Murty

Sudha Murty does not need introductions. After years of hard work she has successfully established herself as a force to be reckoned with. She is also one of India’s most famous and industrious philanthropists working in the key areas of development where it is most required. She is also a celebrated writer who has authored many fiction as well as non-fiction works. In “The Old Man and His God” she reflects upon various instances, chance meetings and experiences which she came across during the course of her life. And just as the blurb claims, the book is a mix bag of stories collected from a lifetime of experiences which delves upon the various facets of human nature and in a way provides a true reflection to the souls of people of India.
Though there are many instances which are inspiring and eye catching, certain ones do leave a mark on the minds of the reader. One such chapter which most fascinated me was the one in which Murty writes about an incident which happened when she was on a trip to a holy monastery in Tibet. A very old woman came to her and kept on thanking her devotedly, Murty couldn’t imagine why the woman would want to thank her until her grandson told Murty that her grandmother was pleased that she has finally met an Indian, offspring of the land which offered shelter and hope to the their revered leader Dalai Lama. Since she hailed from such a holy country, she deserved her thanks.
Though there were many such anecdotes and instances, this one truly touched my soul. I also liked the chapter which documents her husband Narayan Murty’s tryst with life in the communist countries and how after that his views on communism changed forever. Each incident is covered by a single chapter and most of the chapters talk about experiences which she had while working as a philanthropist. The incidents touched upon various facets of human emotions – love, care, friendship, selflessness, greed, hunger, poverty, devotion, jealousy etc.
The writing style is good and keeps the reader engaged. The brevity of the chapters also helps in retaining the
attention span and makes the chapters much more interesting. However, succinctness of the chapters does not in any way take away the underlying message which the author so beautifully brings out through her extraordinary writing. All in all, the book is an excellent read and a very good travelling companion (especially when you are in desperate need of one!). I thus recommend, “The Old Man and His God” to all my readers and rate it three and a half out of five stars.

Inner Fire by R.L. Stedman

Inner Fire is a contemporary young adult novel with plenty of tension and a fantastic premise. Corinne Peterson, with a passion for fashion and desperate to do well in her fashion studies at school, has a genetic disorder, which means that she becomes full of raging heat and can, if sufficiently enraged or stressed, set things on fire!  This disorder has been passed down to her from her rather fabulous and bolshy grandmother.  She is basically a good kid but when a friend tries to drag her into being an accessory to a petty crime, all in aid of getting hold of the right fabric, it all goes horribly wrong.

The setting is London, where CCTV is all pervasive, where your every move is watched and where sometimes the people watching might not want the best for you.  Corrinne is spotted during an altercation in a shop and now it seems that she and her family are being spied upon by sinister men.  Corrinne is removed to her grandmothers house, something she is less than pleased about, but the situation is improved by the fact that the rather gorgeous Rowan is there.  Romance seems to be on the cards and this is new to Corrinne.  But of course it is complicated, tension rises and suspicions are ever present.  

I really enjoyed this book, read it in an afternoon and was fascinated by the disorder Malignant hyperpyrexia, and how difficult that would be to live with. Corrinne is an engaging character and Gran is someone I really wanted to meet.  

Charlie and the Chocolate Factory

    It's a super book . I enjoyed it very well . It's author is Roald Dahl . He had also written many other books . He is one of my favorite author . He was born on 13th September 1916 . He also made new words and gave this strange language an even stranger name - Gobblefunk . He has sisters named Astri , Alfhid , Else , Asta . His father is Harald and mother Sofie .First published in USA in 1964 . Illustated by Quentin Blake . He was born on 16th December 1932 . His first drawing was published when he was sixteen , and he has written and illustrated many of his own books , as well as Roald Dahl's . Roald Dahl wrote his books in a brick hut , which was built especially for him , on the edge of the orchard at Gipsy House .The original Charlie and the story was called Charie's Chocolate Boy . Even the visit to the chocolate factory wasn't very special - ther was one every Saturday . Roald Dahl rewrote it completely when his nephew said that she didn't like it at all . Try to read it , it's a wonderful book by Roald Dahl .


George's marvellous medicine is a wonderful book written by Roald Dahl. The author Roald Dahl is an England and had made many works such as Charlie and the chocolate Factory, The twits, B.F.G plays for children etc. The book is all about the story of a boy who had made a special medicine to his selfish grandmother which contains shampoo to Animal pills.  At first grandmother drinks it and she grows longer and longer. The main characters of the story is George Kranky, Mr. Killy kranky, Mrs. Kranky and the grandmother. I liked George and Mr. Kranky the most because their curiosity in making the medicine for the quick growth of animals so that it produce more milk,egg etc. . They makes three medicines but each doesn't work and at last when they make fourth medicine which makes smaller and grandma drinks the whole bottle and she becomes very small and she disappears. The book is interesting from the beginning to the end. The book is presented in a nice that it produce illustrations so it could be understood quickly . The book consist of 122 pages and I recommend this book to the 5th class to the 7th class. I enjoyed this book very much and I hope you will also enjoy this book.

Story name-Rocking Horse Winner
Author-D.H Lawrence

This is a short story. This is the story of a family which included father, mother, a son and two daughters who were unsuccessful with their family life. They felt that they never had enough money for the social position which they had to keep up and all of them heard the house whispering “there must be more money” even though nobody discussed these problems with each other. Their son Paul was unable to withstand such feelings and asked his mother the reason for such poor economic background and she said that her husband was unlucky. Since she married an unlucky man the whole family went unlucky and thus she related money with luck. The boy grew a greed for being lucky and earning money and the story tells us the way in which Paul made money but the end is sad. I insist everyone to read this short story.

Author: E.B. White
Summary: Charlotte’s Web opens the door to a magical world, which a young girl named Fern finds herself a part of. Fern spends her free time with Wilbur the pig whom she loves and the other barn animals who play a large part in the life of Wilbur. Charlotte A. Cavatica, the large grey spider, befriends Wilbur and helps him deal with the shocking news that his life will end as bacon on someone’s plate. Charlotte goes as far as coming up with an interesting plan that only this spider could carry out with the help of Templeton the rat (who never does anything unless there is something in it for himself) to help Wilbur escape death.
This book is especially good for first time readers who have taken the big jump from short stories to a real novel. It is easy reading and the talking animals captivate the young children.

In his latest book, What Young India Wants, Chetan Bhagat asks hard questions, demands answers and presents solutions for a better, more prosperous India. ABOUT THE BOOK Why do our students regularly commit suicide? Why is there so much corruption in India? Can t our political parties ever work together? Does our vote make any difference at all? We love our India, but shouldn t some things be different? All of us have asked these questions at some time or the other. So does Chetan Bhagat, India s most loved writer, in What Young India Wants, his first book of non-fiction. What Young India Wants is based on Chetan Bhagat s vast experience as a very successful writer and motivational speaker. In clear, simple prose, and with great insight, he analyses some of the complex issues facing modern India, offers solutions and invites discussion on them. And, at the end, he asks this important question: Unless we are all in agreement on what it is going to take to make our country better, how will things ever change? If you want to understand contemporary India, the problems that face it, and want to be a part of the solution, What Young India Wants is the book for you.


In the early 1800s, in the small, sheltered village of Vilakkudi in the Tanjore district of Tamil Nadu, Ranganathan, a small-time landowner, was raising his children, at the time unaffected by British rule in India or upheavals in the rest of the world. As time passed, railways were built and newspapers appeared; isolated villages like Vilakkudi were exposed to social and cultural change. It is this transition that the author, Ranganathan’s great-great-great grandson, tries to trace through the story of his family.
Anecdotal and fascinating, A Comma in a Sentence includes the experiences of Ranganathan; of Ooshi, the author’s great grandfather, who was deeply concerned by the mismanagement of the great Madras famine by the British (an incidental benefit was that the family could earn a wee bit more out of paddy in those years); Gopalan, the author’s grandfather, who encouraged modern school education for his children; Rajam, the author’s father, whose generation moved to the cities for the first time to find work in colonial Calcutta; and R. Gopalakrishnan himself, whose generation was the first to attend college and whose children—the present generation—were fortunate to study in universities like Stanford and Harvard.
Told in lucid, insightful prose, this story provides a microcosmic view of the societal changes India has seen over the past two hundred years.


For over six decades now, Ruskin Bond has been entertaining and touching the lives of countless readers, young and old, with his stories, novels and poems.Children’s Omnibus: Volume 2 brings together the best of his stories for young readers. Included here are old favourites like ‘The School among the Pines’ and ‘The Night the Roof Blew Off’, as well as lesser-known anecdotes such as the hilarious ‘My Failed Omelettes and Other Disasters’ and the heart-warming ‘Adventures in Reading’.
A selection of his charming, whimsical poetry for children, also included in this volume, makes this book a truly enchanting read.
Funny, thoughtful, nostalgic and uplifting, Children’s Omnibus: Volume 2 is a treat for children and adults alike.


A compelling amalgam of new writing and published essays by Minhaz Merchant,The New Clash of Civilizations offers deep and stimulating insights into how the contest between four major civilizational forces—the United States, China, India and Islam—will shape our century. The historic shift in the economic and geopolitical balance of power from the West to the East, Merchant writes, will determine the ideas and principles that govern this unfolding century.
Divided into six distinct sections—History, Nation, World, Leaders, Science & Society, and Vintage—the book provides an original perspective on a dynamic nation coming to terms with itself and the world. In politics and science, history and economics, India’s place in an increasingly competitive global order—and its interaction with the other three major civilizational strands—forms a cornerstone of the book’s narrative.
Broad in sweep and range, The New Clash of Civilizations is a lucid and brilliant account of the ebb and flow of power in the twenty-first century.


‘…a treasure house of views and opinions on all relevant matters that concern our national security needs.’—Marshal of the Indian Air Force, Arjan Singh
‘I recommend this strongly for those who wish to understand a major and vital strand of thinking that will influence Indian policies for years to come.’—Stephen Cohen
Experience over sixty-six years of independence reveals that India has failed when confronted with challenges to national security, external or internal. The challenges have been comprehensive, but the response consistently amateurish.
Why, asks Jaswant Singh. Is it on account of conceptual fault lines or fractures in governance? Both, says Jaswant Singh, ably laying bare the challenges, responses and the consequences of failing to reach the goal of credible defence and security in independent India.
Having directly handled the responsibility of managing a whole series of security-related challenges, Jaswant Singh provides a uniquely informed and illuminating analysis of the major challenges that India has faced over the last sixty-six years: the conflicts, the issues, and the consequences that remain with us today. How does it look in the first quarter of the 21st century?


Milkha Singh has led a life dominated by running, running, running… From a boy who narrowly escaped death during Partition (most of his family was not so lucky), to a juvenile delinquent who stole and outran the police, to a young Army recruit who ran his very first race to win special privileges for himself (a daily glass of milk). After that first race, Milkha Singh became an athlete by default. And what followed was the stuff legends are made of.
In this remarkably candid autobiography, Milkha Singh shares the amazing highs of winning India’s first ever gold in athletics at the Commonwealth Games, the unbridled joy of being hailed as the ‘Flying Sikh’ in Pakistan, as well as the shattering low of failure at the Olympics.
Simple yet ambitious, famous yet grounded, Milkha Singh was a man who defined his own destiny and remained committed to running. And yet, remarkably for a man whose life was dominated by sports, he continues to remain disillusioned with the way sports is run…
Powerful and gripping, The Race of My Life documents the journey of an impoverished refugee who rose to become one of the most towering figures in Indian sports.

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